Bosnian St Louis between two worlds

Bosnian St Louis between two worlds

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A surplus of affordable housing stock in the 1990s made St. Louis a good destination for Bosnians fleeing an ethnic civil war in the former Yugoslavia.

The first refugees were joined later by Bosnians who initially relocated elsewhere in the U.S. but made their way to friends and family in St. Louis, forming the largest community of Bosnians outside of Europe.

“A New Home,” a documentary by St. Louis filmmaker Joseph Puleo, tells the story of the brutal war that caused thousands of Bosnians to build a new community in St. Louis. It premieres Sunday at the Whitaker St. Louis Filmmakers Showcase.

Puleo and executive producer Rio Vitale previously collaborated on “The Hill: America’s Last Little Italy.” More than 1,700 people bought tickets to stream it online during the 2020 showcase, setting a sales record for the festival.

“Many people would come up to us and pitch ideas about what our next documentary should be. And nine times out of 10, they referenced the Bosnian story,” said Puleo, who grew up in St. Charles. “This is not something that, if you live in St. Charles, is ever referenced. So I had no idea about it. I think that this is going to be, hopefully, an eye-opening experience for people in St. Louis and beyond.”

The Bosnian community in St. Louis grew to an estimated 70,000 members at its peak, centered in the Bevo Mill neighborhood. Then many Bosnians began retracing the pattern set by other white residents following World War II, moving from the city to St. Louis County.

St. Louis Public Radio’s Jeremy D. Goodwin spoke with Puleo about the story behind the film and how Bosnians have made an impact on St. Louis.

Jeremy D. Goodwin: Was it more difficult to find sources for this film than it was for “The Hill: America’s Last Little Italy”?

Joseph Puleo: Very early on, we were set up with Patrick McCarthy, who had also started on the ground floor with these refugees back in ‘92, helping them when they first came over. And he had this incredible archive of photographs and VHS tapes. He had relationships with multiple families and members of the Bosnian community that he was able to call on our behalf. Another refugee coordinator, Ron Klutho, was also huge in helping us make these connections.

You're talking about people who are going to be reliving the worst experience of their entire lives in front of a camera. So that's obviously going to be more difficult than “The Hill,” in which they're probably referencing the greatest memories of their life. So we found people that were willing to share, and I'm just blown away by the stories that we were able to get. And for us, being on set, it was just an incredibly emotional experience hearing these people reliving these moments. It was just extremely profound. And we couldn't be more appreciative to the people that participated in the film.

Goodwin: Did refugees from Bosnia end up clustering in particular parts of the city?

Puleo: Yeah, Bevo and south city were the main parts where the Bosnian refugees ended up. And so they lived there for 15 to 20 years, and then started that migration to south county, which is what we get into at the end of the film.

Goodwin: You mentioned that this wasn’t something you heard about when you were growing up in St. Charles. What did you learn through this process that really surprised you?

Bosnian St Louis between two worlds

A scene from "A New Home," which documents the migration of Bosnian refugees to St. Louis and the community they established.

Puleo: I think the fact that it’s such a triumphant story. You're talking about these people going through such a harrowing experience, just to be able to make it over to St. Louis. And then the fact that they were able to build this community, and really rise above everything. It's just a story that I felt was incredibly relevant and needed to be told. And, you know, I'm just very appreciative that the Bosnian community trusted us with making this story.

I thought this was a great story and not one that everyone in St. Louis knows, and probably people beyond St. Louis have no idea. Building up this Bevo Mill neighborhood and starting all these businesses and just being really successful in building a community.

Goodwin: Are some of the folks who you spoke to for the film planning to be there for the premiere on Sunday?

Puleo: Definitely. I think we're going to have a lot of Bosnians in from the community, who are going to be in attendance.

With “The Hill,” we weren’t able to have a public screening because of COVID-19. And now we're going to get that opportunity for this film, so we're incredibly excited about that.

Goodwin: In this film you do talk about how the Bosnian refugees’ experience is colored by the fact they are perceived to be white people. And that gave them an advantage, so to speak, in terms of how white St. Louisans received them as new neighbors. Do you think the city’s positive experience with Bosnian refugees made it more open to refugees from other places?

Puleo: I think so. You see the success that the Bosnians have had and you hope that the Afghan refugees who are coming over are going to be able to experience that, and the Ukrainian refugees who are going to be coming over here can experience that as well.

It is difficult, because you would have hoped, for the city, that they would have been able to stay. And that's a big thing that we get into at the end of the film, really showing that migration to south county. And also the division between city and county, and how that really affects everything that St. Louis does.

If you go

What: "A New Home" When: 5 p.m. SundayWhere: Brown Hall at Washington University, Centennial Greenway, St. Louis

Admission: $15

Boasting the US' largest Bosnian population, St Louis, Missouri, has been shaped by the subtle but abundant influence of a community not found in such numbers outside Europe.

The retro sign on top of the two-storey brick building in St Louis, Missouri, reads "Lemmons Fine Food" with a giant arrow pointing towards the door. At night, the sign's light casts red and green reflections on the windows, diverting attention from a mural of a can of beer covering the right side of the building.

Known for ice-cold beer and heaping plates of fried chicken, Lemmons is inextricably linked to St Louis' history, having been a fixture on this rough-around-the-edges stretch of Gravois Avenue in South City since the 1940s. And though beer remains on tap, when the Grbic family took ownership in 2014, a new history began: one with Bosnians deeply embedded into the fabric, changing the landscape of what a restaurant – and a city – can become.

Full of small, cosy brick houses packed tightly on narrow streets, the landscape in the South City neighbourhood known as Bevo Mill had shifted long before Sulejman and Ermina Grbic owned Lemmons. It was still shifting in 1998, when they purchased what is now Grbic – St Louis' longest-running Bosnian restaurant – just a few streets away. At that time, a dwindling population had left South City's business district a ghost town, with boarded-up windows and little hope that anyone would pump much-needed life into its economy.

But the revival came when Bosnian refugees began settling in St Louis after fleeing the former Yugoslavia during the Bosnian War, which lasted from 1992 to 1995, took the lives of an estimated 100,000 people and displaced more than two million more.

Many Bosnians settled in Bevo Mill so that they could be closer to the International Institute, an immigrant support organisation that, along with Catholic Charities USA, sponsored refugees, helping them learn English and find jobs and housing. St Louis' lower cost of living and support mechanisms allowed for greater success, and many Bosnians living in other parts of the country moved here too, for better opportunities. Today, St Louis boasts the US' largest Bosnian population, making up an estimated 50,000 to 70,000 of the city's 2.8 million metropolitan population.

Bosnian St Louis between two worlds

Balkan Treat Box began with a food truck that travelled across the city, introducing more people to Balkan cuisine (Credit: Balkan Treat Box)

As a result of this influx, says Ben Moore, professor emeritus and senior researcher at the Center for Bosnian Studies at Fontbonne University, "the Bosnian community has had a subtle, but abundant influence, which has become deeply integrated into the fabric of St Louis."

The most straightforward way to experience that influence is by exploring Little Bosnia in Bevo Mill. In the 1990s, when an area bank gave loans to Bosnian refugees with no credit, Little Bosnia grew into Bosnian-owned butcher shops, markets, coffee shops, auto shops, restaurants, trucking companies, an insurance agency and, until a few years ago, the largest US-based Bosnian language newspaper in the country. Across from the Chamber of Commerce, you'll also find an ornate wood and stone fountain replica of the Sebilj in Sarajevo's Baščaršija Square.

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Not far past the Sebilj, you can pick up hurmašice – butter cookies soaked in sugar syrup till they become soft as cake – at Zlatne Kapi bakery and cafe; then visit Iriskic Brothers butcher shop next door, where you will find lamb and steak along with international grocery items. Europa Market, a block away, sells European chocolates, beverages, fruit preserves and ajvar, a condiment made of peppers and aubergine.

Down the road at Lemmons (which is temporarily closed due to pandemic-related challenges), Senada Grbic – a Cordon Bleu-trained chef and one of the Grbic's children – stayed true to the restaurant's fried chicken history by adding a Balkan twist: fried chicken schnitzel – buttermilk-brined chicken breast, pounded thin, then breaded and fried. Her pizza fusion – flatbread with the masterfully spiced ćevapi sausage, mozzarella and feta butter – is as creative as her chicken wings marinated in rakija, Bosnian plum brandy.

A few streets away at Grbic, Sulejman and Ermina serve up Bosnian comfort food like tarhana, a Balkan soup made of sourdough noodles, ground beef and vegetables in a bright tomato broth; ćevapi tucked into tender pieces of the Bosnian bread lepinja; and plates of steaming sarma, mildly pickled cabbage leaves wrapped around meat and rice.

"Grbic is one of the key centres of Bosnian culture in St Louis," said Moore, who has dedicated his career to documenting Bosnian war stories so that history will not be lost. "It's a restaurant as well as a music, graduation and wedding venue – having become a place where the Bosnian community has formed itself as such."

Bosnian St Louis between two worlds

Little Bosnia is home to an ornate fountain replica of the Sebilj in Sarajevo (Credit: Stefanie Ellis)

In this profoundly beautiful space, with intricate brickwork and high, wooden ceilings, there's a nod to the city's Gateway Arch everywhere you look. Sulejman was so captivated by St Louis' famed landmark – the country's tallest monument and the tallest arch in the world – when he first arrived in the 1970s that he incorporated arches into the restaurant design.

Ermina – known by everyone as "Mama" – has been running Grbic's kitchen since it opened in 2002, offering warmth and hospitality to homesick Bosnians as well as those in the community for whom the cuisine is new. Before the pandemic, she could be seen flitting about the 260-seat dining room, handing out hugs and cookies, making everyone feel like guests in her home. Her walnut biscuits, which she still makes every weekend, are delicate and tender, perfumed by spices so familiar they curl like a smile around your tongue. Each bite melts as quickly as powdered snow but leaves behind a feeling of profound comfort, which is the exact effect Mama has on everyone she meets.

"She is made of love and compassion," said Senada, who has taken the reins from the now-retired Mama and runs the kitchen at Grbic alongside her brother, Ermin, while Lemmons is on pause.

Sulejman, who hired Bosnian carpenters and masons for Grbic's four-year construction, shares Mama's kindness. "When refugees started arriving in the '90s, my dad would tell me we were going to the airport to look for people who don't have a place to live," Senada recalled, explaining that because of their established life in St Louis, having settled here in the 1980s as some of the first Bosnians in St Louis, her parents were well prepared to support new immigrants.

Sulejman would hold up a sign that read "refugees welcome", and when people would come home with him, Mama would cook day and night, all while going to her full-time job at 03:30 each morning.

"We had just four bedrooms and one bathroom, but at one time, there were 20 of us in that apartment," said Senada. "We helped with translation and found people jobs, housing and doctor's appointments. One family would come through and move out, and people would call from Iowa and other places and ask if we'd accept them."

The answer, of course, was always yes.

Bosnian St Louis between two worlds

Lemmons has added a Balkan twist to the restaurant's fried chicken history (Credit: Stefanie Ellis)

"In 1998, when Bosnian refugees who lived in Germany were told they had to go back, former US Secretary of State, Madeleine Albright, made arrangements for them to come to the US. By that point, St Louis had become an attractive destination for Bosnians," said Moore.

Edo Nalic, who runs the nationally acclaimed Balkan Treat Box with his wife, American chef, Loryn Nalic, was living with his family in Germany after the Bosnian War and came to St Louis through Albright's arrangement. The couple started with a food truck that travelled across the city, introducing more people to Balkan cuisine and becoming its ambassadors.

"Right now, where we're at in food culture in [the US], Bosnian food is undiscovered, really," said Loryn. "It's comforting and familiar, yet just different enough to be intriguing. After you eat it, you think about it and want to have it again. It would have been easier for me to cook anything else, but I chose this. It's the food I love to cook."

While Bosnians patronise their community's restaurants, so too do non-Bosnian locals. Longtime restaurant critic Joe Bonwich so loved the Grbic family – and frequently wrote about the importance of their restaurant to St Louis – that when he passed away in 2017, his celebration of life was held in their restaurant.

Bonwich never wanted Little Bosnia to remain a secret. Its businesses are nondescript and scrappy – a part of the concrete jungle that is South City – and it can't compete with the fancy tree-lined streets full of boutiques and high-rises in other parts of St Louis. But if you wrote off this stretch of Gravois Avenue as just any other street, you'd be missing what Moore calls the subtle but abundant influence of a population not found in such numbers outside Europe.

"To understand the influence is like peeling an onion," he said. "The things Bosnians have brought us are very beautiful, like burek and the Sebilj, but beneath all that is tragedy. Therefore, the influence of Bosnians is complicated, and takes a while to understand. We haven't experienced what they've experienced, but they've changed us, and it has been infused into this city."

Bosnian St Louis between two worlds

Grbic restaurant is one of the key centres of Bosnian culture in St Louis (Credit: Stefanie Ellis)

Even still, there will never be a bowl of goulash that could ever take the place of home for the thousands of Bosnians in St Louis who lost everything in the war. There is nothing that can erase the unspeakable tragedies they witnessed and the profound sense of loss that follows them every day of their lives.

"Everybody lost someone, and everybody lost their country in the war," said Moore. "To be able to create a new home in the face of such profound loss is the most remarkable thing I've ever witnessed in my entire life. It is an unbelievable testament to what Bosnians are capable of, and what human beings are capable of."

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